Sullivan St Press on the Road and at Work

Our Itinerant Book Show will be going live soon, which means we’re leaving town. For several weeks (from 7/11-9/25), we’ll be away. We’ll be in our Prius filled with all our gear and hitting many KOAs across the country (as far west as the western entrance to Yellowstone National Park). We will visit as many indie bookstores and public libraries as possible during this summer road trip. We want to learn what goes on there and share with them our books and plans for the future. 

Here’s A Sneak Peek

SSP, as I fondly call my company, has lots of big plans going forward.  

Currently, SSP publishes novels, the Scags Series, and vegan books, the Vegan City Guides. In the works now are two different but ambitious projects based on these two series. What will be worked through over the next months, both while we are on the road and when we return, is a renewed commitment to make SSP an e-book only company. 

What Does E-Book Only Mean?

We’ll stop all Print on Demand. Based on the talks I gave at the NYC Green Festival in June, I worked very hard to lay out the reasons for “Why Publishing’s Future is Green Publishing.” I’ll be sharing those ideas in a series of blog posts soon. The short message is that The publishing industry needs to cut down its carbon footprint and learn to love the e-book. 

Going Forward

The Scags Series will be completed in 2018. Scags at 45 is the final volume. But Scags herself is a new writer for SSP and her first book, also coming out in 2018, Born Loser, Born Lucky will be about the exploits of her character, Sophie, and her work to kill the cancer in our global heart’s soul. We’ll be launching Scags’ books as e-books only. And we’re working on a way to put the entire Scags Series into an app. So, lots to do but all of it will offer much more interconnection with other writers and their books. 

The Vegan City Guides series is also plodding forward. We are talking to and looking for more partners. We want to go 50-state wide. We want to show the entire nation’s vegan footprint well beyond a focus on food but to encompass every aspect of what it means to be vegan. Thus for the animals, for our environment, for our health and for the spiritual well being of those who seek to live compassionately. 

Our goals are ambitious but should even a part of this new work bear fruit, there will be much more of interest to offer readers and writers for years to come. 

#GoVegan #ReadBooks

Crowdfunding the Sullivan Street Press Way

The story of Sullivan Street Press is this: We began in order to change the publishing paradigm. Our new crowd funding program is part of that paradigm shift.

Writers Need to be Paid

Some things don’t need to be changed. Writers need to be paid and they need to be paid because they have worked hard and created a book that no one else could have written.

Writers Need Supportive Communities

Books cannot live if no one reads them. This is not an issue of if a tree falls in the forest, no, this is a contract that is made between the writer and the reader. She needs for the reader she imagined while writing to become involved in making sure the world is also interested in this new book.

Crowd Funding=Community Support

This is the magic formula for books published by Sullivan Street Press. The friends and family of the writer, the ones she is thinking of as she writes, are the core community we need to engage so we can raise the money to pay for the costs of producing all our books. I know that some writers are frightened to ask for this kind of help, but as a good friend of mine constantly says: “Ask not, get not.”

Paying by PayPal So The Books Are Paid For

Like all publishers, Sullivan Street Press’ contract stipulates that an author will not receive royalties until the costs of production are paid for. If 30-50 people send a minimum donation of $50 to the Sullivan Street Press PayPal account, the entire cost of producing most of our books will be covered.

Your Reward

Each person who gives $50 will receive a signed copy of the book from the author.

What You Will Pay For

Our production partner, Scribe, Inc., has helped us reduce the costs of production. We are asking for the money to cover the editorial and production work on each title, as well as some of the costs for distribution of the books. (The money will never go towards salaries, office space, supplies.)

The Buck Isn’t the End of It

As the book reaches its launch date, we need you to go to your local library. Librarians need to hear from you that the writer’s book should be on the shelves and the writer should be invited to give a reading. You are needed to write reviews on the various book sites and to send letters of recommendations for this book to book reviewers, to ask your book club to read the book and spend time with the author. You are needed to recommend the book to your friends and family.

This type of support is as necessary as money.

Community

I now end as I began. Singing the praises of a book’s inherent community: those people the author thought about when writing the book.  As the publisher, this is the sweet harmony of the book business. When I watch a writer read to the very audience she had in mind when she wrote her book; seeing all those eyes watching her with complete attention, I know that we can ask them, you, to go out and sing the praises of the new book because now you too have come full circle with the writer and made a new book possible.

Here is where you can help us: sullivanstpress.com/help-our-books/

Libraries and Bookstores: Helpful Friends

When I wrote the article about integrating libraries and bookstores in 2014, I realized that what we needed were places where both print and digital and archives and rooms for community could co-exist. The best ways of seeing this integration, in my mind, was to allow the public and the private to blend into one. And while I am not portraying the roles that publishers can play in this new mashup, trust me, I will be writing about that as well.

Mutual Assured Cooperation

Public libraries have their own structures for ordering, processing, shelving, cataloging books. Bookstores too have their own systems for ordering books, displaying them and payment methods for books that also allow bookstores to return unsold books. It is easy for any bureaucrat on either side of this seeming divide to say that for these reasons alone, there can be no integration of bookstores and libraries. Yet, there are ways all of this could be managed in order for us to move ahead.

So Digital

Libraries have an outstanding edge over bookstores. First is they usually have a much larger understanding of and access to e-books. It may come as a surprise to many that you can download an e-book from your library from your home and when it is due back at the library, it will just be deleted from your device. Another thing that may surprise many, is there are currently libraries getting rid of their bookshelves entirely. Seeing the future a bit more clearly than lots of publishers, they know that those who use their libraries are there with a laptop or to use their laptops. Having access to a free wifi site is essential in communities where the cost of such a service is prohibitive and the added benefit is you have trained researchers close to hand.

Libraries now offer classes on how to create e-books, how to code, how to tell stories with digital tools. They provide all these tools for working in the digital world and usually for free and with good teachers who want to share their experience. Having clean, well lit spaces for such work is important and libraries can do this better than anyone else in our communities.

Let There Be Print

That then is not a dismissal of print. Print is still needed in many ways and for many people. It is mostly in this domain where the two, bookstores and libraries, overlap and support one another. Selling books fills a need. Having authors come into our communities to read from and discuss their new books is a pleasure. Book clubs and writing groups like to use bookstores for the ambience as well as the availability of all the newest titles. Print is preserved in many ways by how bookstores function in their communities. I would also suggest that new ways can also be found such as having the sales reps from the distributors come to bookstores prepared to present the books to the community rather than to just the buyer, allowing those interested in what is new to hear the sales speech and to learn more about how books are sold.

We Can Change Everything

Yes, that can all happen and parts of it are happening now. If we integrate the systems and make them work both collaboratively and independently, where they must, we will be saving the book business, expanding the reach of our libraries, giving authors many more venues to speak in and bringing a vibrant book culture into every community. These benefits are not out of reach; they require all of us to advocate for them.

E-Books for Every Occasion and Reader

Sullivan Street Press began life as an e-book only publisher. Caught up in the excitement of a new publishing paradigm that would allow for a democraticization of the publishing process, the company and I began to test out new ideas for ways that all writers and readers could benefit from this marvelous technology.

I began my publishing career in 1978 and learned how to produce bound books at my first job for a now defunct publishing company that was more interested in creative financing than was healthy for them.  Yet, their creative ways allowed them to publish translated works of real value that would not have seen an American audience or been found on bookstore shelves because of the ways in which the business was structured in those days.

Fast forward to the 1990s when major publishers were not open at all to the idea of e-books or what they were in those days, pdf files on your desktop. An inventive and far-sighted publisher was put out of business by the major publishers for daring to suggest that out of print books, in other words, books no publisher was interested in any longer, might find a new market in the digital realm of our computer screens. But, as I said, this individual was driven out of business and litigated to death over a format that we now all find old fashioned, yet was the very format that Barnes & Noble used in their early versions of the NOOK.

Today, we read constantly that e-books aren’t doing as well as the predictions of analysts who seem to be more concerned with turning profits than reading books. Yet, one company has been allowed to post deficits for years, until just this year in fact, because Amazon of all the players in the e-book world has not been tech adverse in its business model. Its business model is based on a much deeper understanding of the technical world in which we live (with the attendant bad and good that means) and has profited from the sale of e-books in ways that publishers never can. It takes a moment to understand why Amazon has invested so much money in their book business.

If you stop for a moment and think more about what it is that Amazon knows about you, you will begin to comprehend just how their business is predicated on being a one-stop purveyor of all things you need. Over the 2 decades that they have been in business, Amazon has been collecting data on all its customers and creating a data bank that allows them to know how to sell almost anything we want. No one except them has access to this data, oh, except the government of course, and even publishers who could do a much better business if they had this information are not allowed access to it.

Their technology for e-books, which is theirs alone, no other e-tailer can use or does use the proprietary software that Amazon designed for the e-books that they distribute (Mobi) and while we are speaking of their unique practices, you also don’t own the e-books you download onto the Kindle, they do. And at any time they can delete it from your devices.

Yet, for all these problems and the complicated history of how we arrived at this moment of e-books and their place in our libraries, I am still a huge fan of them for practical reasons (I can take a library with me when I travel and I travel a lot) and I think environmentally, we stand a better chance of preserving the resources we have, given though that we understand what resources are necessary to manufacture our devices and how they are obtained. (I will write further about this issue in coming posts.)

We are all called upon to take seriously our libraries and bookstores, to support the writers and publishers who are producing the literature we need to make better choices and to lead more informed lives. Books are treasured by so many for these reasons but also because within the process of reading them, we are transformed as the writer who wrote them was also transformed in the process of building those stories and finding the words to say exactly what she meant to say.

E-books aren’t as some would like you to believe all that cheap to produce. The same, very same, efforts to make the text the best it can be is necessary for both bound and e-books. What is different is that e-books can be produced more quickly and made available across a variety of markets in ways that bound books cannot be.

Ride the wave of e-books and experience the freedom to read anywhere at any time almost any book you want to read. Share almost all content with your friends, quote it directly into your emails, your FB page, onto a Twitter post, however the words move you to share them; that too is your new ability given the ways in which e-books are formated.

All the books I publish are available as e-books and you can find out all about them here.